Roy C. Hammons Family of Little Emory Tn
| Josephine March | |
|---|---|
 ' | |
| Birth and Expiry | Late 1840s - Unknown |
| Also Known Every bit |
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| Hair Color | Reddish Chocolate-brown |
| Eyes | Grey (A little blueish) |
| Nationality | American |
| "Fatal Flaw" | Temper |
| Family unit Members | Parents and siblings
Spouse and children
Aunts and Uncles
In-laws
Nieces and nephews
|
| Affiliation |
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Josephine "Jo" Bhaer (née March) was the 2d eldest March sister. She is seen every bit the protagonist of Piffling Women.
Contents
- 1 Biography
- 1.1 Girlhood
- 1.2 Later life
- two Personality
- 3 Advent
- 4 Trivia
Biography
Girlhood
Jo was a reckless, daring kid. She often wished she 'was a male child', and as consolation enjoyed whistling, using slang and ruffling up her clothes (which were a great trial to her, especially when she grew old plenty to wearable long skirts) - all symbols of masculinity at the time. Jo loved to read, and would spend hours doing so, reading books such equally The Heir of Radcliffe, over which she ate apples and cried.
The attic at Orchard House was a favourite haunt of hers. The tiny kitchen, which was inhabited by many manuscripts, books, and rats (who nibbled her pages and tasted her pencils), was also a desk where she could be found when in a 'vortex'. Jo had a 'scribbling adjust', which consisted of a large black pinafore to absorb ink stains and a small black cap with a grayness feather. When she was in different moods/states of the story, it was at different angles. If she was at a hard or despairing moment in her books, it was "plucked wholly off, and cast upon the floor". At the start of the book she wishes to become a famous writer; at the stop, she appears quite happy with her "boy's schoolhouse".
Jo was the 2d oldest daughter of the March Family. At the outset of 'Little Women', the family is experiencing temporary fiscal difficulties during the American Civil War. The March girls' father is acting in the regular army as a pastor and the older sisters are working to make some extra coin to back up the family. Jo has to assistance her rich elderly corking-aunt - Aunt March. When her father falls sick, Jo sells her hair, her 'just pride', than beg her aunt for money for her mother's ticket to Washington, so she could go visit her married man.
The sisters made good friends with their neighbour, Theodore 'Laurie' Laurence. Jo nicknamed him Teddy and he would sometimes call her "my fellow." While Laurie studied at college, Jo kept working on her writing.
Afterward life
During that time, Laurie realized that he had fallen in beloved with Jo. Sensing his feelings, Jo confided in her mother, telling her that she loved Laurie but every bit she would love a brother and that she could not love him romantically. Laurie proposed spousal relationship to her and she turned him down.
Jo decided she needed a break, and spent vi months with a friend of her mother in New York City, serving as governess for her 2 children. The family ran a boarding firm. She took High german lessons with Professor Friedrich Bhaer, who lived in the house. They before long became good friends. For extra money, Jo wrote stories without a moral, which disappointed him. They had an argument and when Jo learned that Beth'southward health had seriously deteriorated, she left New York and devoted her time to the intendance of her dying sister.
On her invitation, Professor Bhaer arrived at the Marches' home and stayed for ii weeks. On his concluding solar day, he proposed to Jo. Aunt March died, leaving Plumfield to Jo. She and Bhaer turned the business firm into a school for girls and boys and had two sons of their ain.
Personality
Of the iv March sisters, Jo was hands the least traditional female character: she was vocal about thinking for herself, took pride in shunning female manners and fashion, and was unlikely to succumb to the pressures placed on women at that time. In fact, she was always disappointed that she was non built-in a man, and hated the very idea of the inevitability of becoming a full woman. This can be interpreted equally a subconscious desire on their office that allows the freedoms that men can non enjoy at that moment, as well as, losing their ain identity, once they embrace their femininity.
One notable trait of Jo's would be her decision: when she gear up her mind on something, it was very hard to dissuade her from doing it - an instance of which would be her dedication to her stories. Her "fatal flaw" was her temper, which could exist exceptionally bad and volatile when provoked to her breaking point, but as her guidance under her mother'south wise teachings as well her ain life experiences progressed, Jo learned how to properly control it.
Every bit she matured, Jo gradually learned the importance of accepting her own gender and realized that becoming a total truthful woman did not hateful losing her own unique identity. As her father pointed out subsequently returning domicile, Jo was no longer the "son" he once knew: she had ceased to practice masculine habits such as whistling or talking slang, and even dressed, spoke, moved, and cared for her family - especially Beth - in a way that fabricated her satisfied of the strong, helpful, and tender-hearted adult female she was growing to be.
Advent
When Jo was starting time introduced as a fifteen-year-one-time, she was described as being very tall, thin, and tanned, with long clumsy limbs that gave her the impression of a filly. She also had all-seeing sharp gray eyes, a funny-looking nose, a firm mouth, round shoulders, and large hands and anxiety. Her long, thick hair was said to be her "one beauty", but it was usually bundled into a cyberspace, and she subsequently cut and sold it to heighten funds for her mother.
Later on, at 18, Jo was described equally having matured into a curvaceous and svelte young woman, with thick curly hair that set off her head to advantage, rosy cheeks, and vivid eyes.
Trivia
- Louisa May Alcott's nickname is really a masculine 'Lou' which makes Jo the perfect masculine nickname counterpart.
- Josephine March is based on Louisa May Alcott herself, which fabricated the book semi-autobiographical. Jo's struggles with writing a publishable story are loosely based on Louisa May Alcott's ain struggles with becoming an author as a female in her fourth dimension.
Source: https://littlewomen.fandom.com/wiki/Jo_March
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